6,862 Royalty-Free Audio Tracks for "String Quartets By Ludwig Van Beethoven"

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Geluidsfragment, Passion, Erik van der Luijt, piano, bron: Erik van der Luijt, www.erikvanderluijt.com
Author: Adrievdl at Dutch Wikipedia
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Semper Paratus, performed in 1944, during World War II, by the Boston Pops.
Author: Untitled
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The second movement of Maurice Ravel's String Quartet, played by string players of the United States Army Band
Author: Untitled
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03:26
Piano Sonata No. 1 in F minor, Op. 2, No. 1. 3rd movement - Menuetto and Trio (allegretto). Sonate pour piano n° 1 en fa mineur, opus 2 n° 1, 3eme mouvement, Menuet et Trio: allegretto.
Author: Untitled
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04:44
Piano Sonata No. 1 in F minor, Op. 2, No. 1. 4. prestissimo. Sonate pour piano n° 1 en fa mineur, opus 2 n° 1, 4eme mouvement, Prestissimo.
Author: Untitled
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Measure 4 from Ludwig van Beethoven's Piano Sonata No. 8 (Pathetique), Op. 13. This example demonstrates nonuplet 128th notes (semihemidemisemiquavers), 64th notes (hemidemisemiquavers), and one 32nd note (demisemiquaver).
Author: Untitled
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Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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01:36
Mozart's song "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte", K. 520
Author: Untitled
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Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).
Author: Hyacinth
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